Uh. I’m really not sure what to make of this game. It was pretty funny, so there’s that. The story was unusual, following the decisions you make on your life’s journey from tiny swimming lifeform to fully grown monster, but there wasn’t a lot to it.
The closest game to it, that I’ve played in recent years at least, is Hatoful Boyfriend. There’s the similar story-and-multiple-choice-reaction thing going on, and the many ending resulting from this. Most choices affect one of each of your monster’s stats: Ferocity, Kindness, Cleverness, etc., and the events involve interactions (and possible consumption of) cats, children, other monsters, and so on.
At the end, you’re tested to see if you can ascend to become a monster elder, or whether you’re destined to dissolve and become one with the spawning pool for a new generation of monsters. I ended up with the latter.
To infinity, and, well, there’s nothing past infinity.
Finally, after much configuring and tweaking and getting a wireless adaptor for the 360 controller, I managed to get my Steam Link working both reliably and without cables all across the lounge. Which means, in my mind, I now have a new games console and an instant library of hundreds of games I’ve collected over the years and barely played.
Bioshock Infinite is one I picked up ages ago, probably in a Humble Bundle (that’s where most of my games come from), but was still on the lookout for a 360 or PS4 version to play on my telly. Now, I don’t need to!
I’ve played about 4 hours of it so far, working my way through Columbia, rescuing Elizabeth, taking photos of toilets, that sort of thing. It looks very pretty, especially since I realised my iMac can handle running the game on the highest possible graphical settings, with blue skies and stuff, but there’s something I can’t quite put my finger on that’s missing from the game.
It’s all a bit linear so far, with “free roaming” only bolted on for those who wish to explore. There’s quite a bit to explore, but the rewards are pretty poor. The “vigours” I’ve collected up to now are pretty dull – one is a grenade, essentially, and is useful, but the other two are very underpowered. “Murder of Crows” seems to do little but distract, and the possession vigour isn’t a patch on the berserk darts from Assassin’s Creed.
These are negative points, but minor in the scheme of things. I don’t know what is making it feel a bit poor, but hopefully things will improve and it’ll go away?
Another observation about Bioshock Infinite is that it isn’t Dishonoured. I remarked when I played that game that it felt a lot like Bioshock, and the world of Bioshock Infinite feels a lot like that of Dishonoured. So far, Bethesda’s game is the better of the two despite coming an year earlier. We’ll see.
As for where I am – I’m just working through Soldier’s Field. It’s been very easy until now. Does it get harder?
Oh! And I think I’ve figured out why they exist already, and why The Prophet can “see” the future, but hearing the barbershop quartet singing Gold Only Knows by the Beach Boys, and a brass band playing Girls Just Wanna Have Fun, when the game is set in 1912, was a little… awesome. And confusing. The way it just permeates your subconscious and you realise what you’re listening to. That bit where Tears for Fears plays though – that pretty much explains it.