Sometimes, a game comes along which is properly hilarious. Sure, there are funny games, and games with funny events or “player made” hilarity, but it’s rare for a funny game to be this funny.
Thank Goodness You’re Here! is what we used to call an arcade adventure game. I suppose, in some ways, it’s the spiritual successor to such British 8-bit computer games as Everyone’s A Wally and Jack the Nipper. You, as a little (although his size randomly changes somehow) yellow man have arrived at the mayor’s office only to find you’ve some time to kill so wander outside. Then begins a ridiculous chain of events across this northern town where you’re expected to help out in various stupid and nonsensical ways.
For example, one of your first tasks involves freeing a portly gentleman who has reached into a drain to reach a tuppence and got his arm stuck. Off you go to the bakery to nick a load of butter with which to lubricate the arm, which frees him and reveals it to actually be a thruppence, not a tuppence. What joy!
Other tasks include arranging smoking fish in a fishmongers, repeatedly annoying a quiet old man by plopping through his chimney sooting up his living room, and fetching meat to make pies. There’s a huge number of proper Northern people who populate this town, ably voiced by Matt Berry and Jon Blyth, amongst others, who add even more silliness to the proceedings. Events that just happen around you, like the singing rats in bins, the Sausage Man, and the chap who sells bricks, as well as a few romances and rivalries (there’s a near war in the Big Pie vs Little Pie side story). Every few seconds there’s a funny event, new character, or bit of dialogue, and it all feels a bit Python-y and a bit On The Buses-y in the best possible way. There’s also a load of adverts for in-universe products which are hilarious.
The gameplay is pretty simple, mostly involving some minor platforming and fetch and carry requests punctuated with a bit of exploration and pathfinding as various areas are revisited in different ways as routes open up or close. That’s not a criticism like it might be with a “straight” game, as the point here is to enjoy the people and the setting (and the accents) more than the gameplay itself which is mostly just the vehicle to progress the story and events.
It’s a really unique game, and I wish I could forget all about it so I can play it again and re-discover it all.
@deKay Its nice to hear another person had a fun time with this, and you're totally spot on with the game being really funny, not just *amusing* but proper laugh out loud stuff.